A UNIQUE MUSEUM-LIKE EXPERIENCE
Since 2016, the most delicate works of the Collection have been housed in a remarkable setting of concrete and Corten steel designed in the heart of the vineyards by architect Charles Berthier. An artistic entity in its own right, bathed in a well of light, this 800 m2 space welcomed at its opening sculptures that could not be placed outdoors due to weather conditions.
In 2021, to diversify the types of works displayed and offer an enriched experience to visitors, Philippe Austruy decided to add panels to this minimalist space. This subtle transformation now allows for wall installations and displays involving painting or photography, aspects previously little or not showcased from the remarkable Philippe Austruy Collection.
The centerpiece of this new scenography is the installation Environnement (1968) by Jean-Pierre Raynaud, presented as it was originally in the apartment of Jean-Marie Rossi in the 1960s. The fifteen panels that make up the work have been dismantled, reorganized, and reveal, for the first time, a historical reconstitution of the living room of the great Parisian antique dealer.
Major creations such as Courbes immatérielles (1982) by Jesús-Rafael Soto, Tengan-Tenganan (2009) by Frank Stella, Triple X Neonly (2012) by François Morellet, La Sirène (1983) by Niki de Saint Phalle, Maquette de la Tour aux Figures (1986) by Jean Dubuffet, Le Mobile (2005) by Xavier Veilhan, Incomplete Open Cube (1973) by Sol LeWitt, Télélumière Relief (1982) by Takis, Gilgamesh (2016) by Anish Kapoor, or Untitled (2015) by Robert Barry, also have dedicated spaces within this extension of the Commanderie de Peyrassol.
This space is accessible only through guided tours.